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EXHIBITIONS / EVENTS

Exhibitions

EXHIBITIONS / EVENTSExhibitions

EXHIBITIONS / EVENTS

Exhibitions

Art and Industry

Period 6 Oct, 2022 - 29 Jan, 2023
Location Gallery 1&2
Artist 14
Number of Artists 26
Admission 1000 won(Ulsan Citizen: 500 won)/Free: Under 19 and seniors
Organized by/Supported by Ulsan Art Museum
Reservation
The revolution of digital technology and the late capitalism at the end of the 20th century, have caused art and industry to merge in different ways; the accelerating socialization and industrialization of art have opened a new era where culture—not product—is being produced, and consumed in the economy.

In the past, the main driving force of the industrial economy was capital, technology, and labor. Over the digital and post-digital age, information (big data) was added as the main force, and art has finally become the core element of economic growth. After passing the Third Wave, described by Alvin Toffler as an ‘information society,' now we are encountering the Fourth Wave which was noted by Jim Dator that art (dream) is centered in social and economic life.

In fact, in contemporary times, we can find many companies that are merging actively fusing art into their administrative management, with the objective of creative administration.

This exhibition is a research project to explore and describe, from a cultural history perspective, the cases of horizontal convergence between art and industry. It aims to present the successful collaboration cases that achieved two needs: the economic value of companies and the artistic one of art. Thus, this exhibition would like to unfold the past, present, and future of the horizontal convergence where art and industry are in symbiosis.
Main Work
Before Next
Yeondoo Jung, Drive-in-theater, 2022, a car, screen, projection, speaker, dimensions variable, image courtesy of Yang Fudong and Shangart

Yeondoo Jung, Drive-in-theater, 2022, a car, screen, projection, speaker, dimensions variable, image courtesy of Yang Fudong and Shangart

Yang Fudong, First Spring, 2010, Single-channel film, 9 minutes 11 seconds, First Spring, 2010, Single-channel film, 9 minutes 11 seconds

Yang Fudong, First Spring, 2010, Single-channel film, 9 minutes 11 seconds, First Spring, 2010, Single-channel film, 9 minutes 11 seconds

AES+F, GENTLE FENDI Collection Campaign, 2019, Single-channel film, 52 seconds, courtesy of Gentle Monster & Fendi

AES+F, GENTLE FENDI Collection Campaign, 2019, Single-channel film, 52 seconds, courtesy of Gentle Monster & Fendi

Carsten Nicolai, Unicolor, 2014, real-time projection, large-scale screen, mirror walls, bench with loudspeakers, Dimensions variable, courtesy of the artist and Galerie EIGEN + ART

Carsten Nicolai, Unicolor, 2014, real-time projection, large-scale screen, mirror walls, bench with loudspeakers, Dimensions variable, courtesy of the artist and Galerie EIGEN + ART

David Altmejd, The photograph of Yeasayer's album 'Amen & Goodbye' shooting

David Altmejd, The photograph of Yeasayer's album 'Amen & Goodbye' shooting

PHUNK, INVISIBLE FORCES, 2006, Deconstructed Shoe Parts and Mixed media, 35x35x55cm, courtesy of PHUNK

PHUNK, INVISIBLE FORCES, 2006, Deconstructed Shoe Parts and Mixed media, 35x35x55cm, courtesy of PHUNK

Good Wives and Warriors, Absolut Blank 2011, paint on plywood, 200x600cm, courtesy of Good Wives and Warriors

Good Wives and Warriors, Absolut Blank 2011, paint on plywood, 200x600cm, courtesy of Good Wives and Warriors

Osang Gwon, Lincoln MKZ Collaboration, 2013, C-print, Mixed media, 255x60x155(h) cm

Osang Gwon, Lincoln MKZ Collaboration, 2013, C-print, Mixed media, 255x60x155(h) cm

Nakbeom Kho, Out of Blue-Dramatic(2), 2003. 캔버스에 유채. 193.9x112.1cm

Nakbeom Kho, Out of Blue-Dramatic(2), 2003. 캔버스에 유채. 193.9x112.1cm

Kim Jung Gi, Big Picture of Innovation, 2016, pen on paper, 500x200cm

Kim Jung Gi, Big Picture of Innovation, 2016, pen on paper, 500x200cm

Yeondoo Jung, Drive-in-theater, 2022, a car, screen, projection, speaker, dimensions variable, image courtesy of Yang Fudong and Shangart

Yeondoo Jung, Drive-in-theater, 2022, a car, screen, projection, speaker, dimensions variable, image courtesy of Yang Fudong and Shangart

Yang Fudong, First Spring, 2010, Single-channel film, 9 minutes 11 seconds, First Spring, 2010, Single-channel film, 9 minutes 11 seconds

Yang Fudong, First Spring, 2010, Single-channel film, 9 minutes 11 seconds, First Spring, 2010, Single-channel film, 9 minutes 11 seconds

AES+F, GENTLE FENDI Collection Campaign, 2019, Single-channel film, 52 seconds, courtesy of Gentle Monster & Fendi

AES+F, GENTLE FENDI Collection Campaign, 2019, Single-channel film, 52 seconds, courtesy of Gentle Monster & Fendi

Carsten Nicolai, Unicolor, 2014, real-time projection, large-scale screen, mirror walls, bench with loudspeakers, Dimensions variable, courtesy of the artist and Galerie EIGEN + ART

Carsten Nicolai, Unicolor, 2014, real-time projection, large-scale screen, mirror walls, bench with loudspeakers, Dimensions variable, courtesy of the artist and Galerie EIGEN + ART

David Altmejd, The photograph of Yeasayer's album 'Amen & Goodbye' shooting

David Altmejd, The photograph of Yeasayer's album 'Amen & Goodbye' shooting

PHUNK, INVISIBLE FORCES, 2006, Deconstructed Shoe Parts and Mixed media, 35x35x55cm, courtesy of PHUNK

PHUNK, INVISIBLE FORCES, 2006, Deconstructed Shoe Parts and Mixed media, 35x35x55cm, courtesy of PHUNK

Good Wives and Warriors, Absolut Blank 2011, paint on plywood, 200x600cm, courtesy of Good Wives and Warriors

Good Wives and Warriors, Absolut Blank 2011, paint on plywood, 200x600cm, courtesy of Good Wives and Warriors

Osang Gwon, Lincoln MKZ Collaboration, 2013, C-print, Mixed media, 255x60x155(h) cm

Osang Gwon, Lincoln MKZ Collaboration, 2013, C-print, Mixed media, 255x60x155(h) cm

Nakbeom Kho, Out of Blue-Dramatic(2), 2003. 캔버스에 유채. 193.9x112.1cm

Nakbeom Kho, Out of Blue-Dramatic(2), 2003. 캔버스에 유채. 193.9x112.1cm

Kim Jung Gi, Big Picture of Innovation, 2016, pen on paper, 500x200cm

Kim Jung Gi, Big Picture of Innovation, 2016, pen on paper, 500x200cm

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